A Racing Green Kitchen

My rule of thumb when it comes to kitchens (or any room in the house for that matter) it’s to go with light and breezy colors, modern designs with minimal aesthetics.. but lately, I’ve been loving dark rich kitchens! I love dark colour cupboards like black or this beautiful rich green… Oh, I love this green! I think that it’s a cross between emerald and English racing green!…  This kitchen has been beautifully designed and curated! The collection of stunning artwork and pottery helped to create that dramatic effect to this fabulous warm and cozy kitchen.

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The perfect kitchen to cozy up in with a warm hot chocolate and a great classic book this winter… don’t you think?

via Devol kitchens

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Style Icon: Countess Setsuko Klossowska de Rola

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Wearing fur over her Kimono At the Chanel Haute-Couture Spring / Summer 2012 Show

Countess Setsuko Klossowska is an artist and a writer and has been cultivating her unique sense of timeless chic for decades. Countess Setsuko Klossowska de Rola was born in Tokyo in 1942 into the Ideta family, an ancient Samurai clan originally from Kyoto that is part of the Japanese aristocracy. She has been in charge of the Villa Medici in Rome, she has exhibited her work internationally. She became UNESCO’s Artist For Peace in 2005.

She is the widow of the French artist Count Balthus Klossowska de Rola. She met him while he was visiting Japan for the first time in 1962. He was sent to Japan by André Malraux, then France’s first minister of cultural affairs, to choose traditional Japanese artwork for an exhibition in Paris.

Shortly after their marriage in 1967, they moved to the Italian capital where Balthus became the director of the French Academy in Rome, housed in the 16th-century Villa Medici. In 1977, they settled permanently in Switzerland with their two children in the 18th grand chalet, (a former hotel whose guests included the noted French poet and novelist Victor Hugo). Located in the tiny alpine village of Rossinière, it became the setting for chic dinners and gatherings that included an eclectic roster of international guests such as photographer Henri Cartier-Bresson, artist Alberto Giacometti, the Agha Khan, the Dalai Lama and David Bowie. There is a room at the Grand Chalet de Rossinière dedicated to storing Countess Setsuko’s legendary collection of custom kimonos, some of which were recently exhibited in Tokyo. To the untrained eye they may appear traditional, but to those in the

There is a room at the Grand Chalet de Rossinière dedicated to storing Countess Setsuko’s legendary collection of custom kimonos, some of which were recently exhibited in Tokyo. To the untrained eye they may appear traditional, but to those in the know, they are a sartorial fusion of tradition and modernity, East and West, thanks to the Countess’ expert eye. She will often appear at private dinner parties in a ravishing gold brocade kimono, flecked in a deep red that she had matched to her signature nail polish.

Surprisingly, her custom of donning the kimono only began after her marriage to Balthus. Her husband was so enamored by the elegance of the traditional Japanese costume that he asked his wife to wear the kimono without fail every day. “Balthus was surrounded by people who were conscious of the beauty inherent in what they wore, and it was through him that I was able to realize the elegance of Japanese style,” recalled Countess Setsuko, who until their marriage had only worn the kimono on ceremonial occasions, such as the traditional tea ceremony or on New Year’s Day. “I couldn’t even tie the obi belt on my own at first. It would sometimes loosen, making the bow droop down. I made a lot of mistakes,” confided Countess Setsuko, who at 73 continues to wear the kimono even when traveling abroad, whether it is to the Middle East or on a plane bound for New York.

7 Beautiful Interiors from the 70s

The 70s interiors have been having a strong comeback lately… I think most people picture those interiors to be crazy and lack sophistication…. however many of those interiors were actually very sophisticated and classy!

Here are 7 interiors from the 70s that I hope will inspire you to add a sophisticated yet an eclectic touch to your home xxx

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Best Dressed Met Gala 2017

Those are my favorite looks at the Met Gala in no particular order:

The Costume Institute Benefit celebrating the opening of Rei Kawakubo/Comme des Garcons: Art of the In-Between, Arrivals, The Metropolitan Museum of Art, New York, USA - 01 May 2017

The Cartier jewelry Sofia Coppola wore was perfect with that shimmery gold Marc Jacobs gown.

Alexa Chung wore a classic polka-dot dress by Diane von Furstenberg

The Costume Institute Benefit celebrating the opening of Rei Kawakubo/Comme des Garcons: Art of the In-Between, Arrivals, The Metropolitan Museum of Art, New York, USA - 01 May 2017

 That beaded Stella McCartney dress looked stunning on Gisele Bündchen

The Costume Institute Benefit celebrating the opening of Rei Kawakubo/Comme des Garcons: Art of the In-Between, Arrivals, The Metropolitan Museum of Art, New York, USA - 01 May 2017

 Emmy Rossum wore my absolute favorite jewelry design!… I think that Art deco jewelry designs are the most beautiful designs.  The diamond earrings were by Ashoka ,  the watch and bracelet were by Fred Leighton… She wore a custom Carolina Herrera outfit and Christian Louboutin heels.

Save the Children’s Christmas Jumper Day

Madame Tussauds London museum dressed up the British royal family wax figures in ugly holiday sweaters in  honor of the “Save the Children’s Christmas Jumper Day,” which will take place on December 16 ….it’s a campaign that asks people to wear their favorite silly or ugly sweaters in exchange for donating to the nonprofit Save the Children.

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I must admit that I don’t mind Prince Philip’s sweater…. compared to what the rest of the family ended up with, his isn’t bad at all lol!!!

Here’s the link for more info about Christmas Jumper day

The Crown

Anyone who knows me knows that I love costume dramas…  So it comes as no surprise that I have been waiting for The New Netflix production to be released!…..Other than “Games of Throne” “Downton Abbey” has been my favorite TV costume dramas until now….  “The Crown” to me is just another level of entertainment! It’s my new addiction!

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  “Downton Abbey” was/is fun to watch but it is fiction, whereas “The Crown” is based on fact, with a far weightier dose of history and politics, including issues of constitutional duty and complex political issues. Writer Peter Morgan and the director Stephen Daldry — have succeeded in balancing the seriousness of intent against popular appeal, and for Netflix, which I think has already attracted a huge international audience!

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This is not the 1st time that Mr. Morgan, the creator of the show, has written about the Queen…. He actually has extensive experience writing about her. His 2006 film “The Queen,” won several Academy Award nominations and the best actress award went to Helen Mirren as the monarch, facing public reaction to the death of Princess Diana. Then in 2013 came his successful play, “The Audience,” also starring Helen Mirren and directed by Mr. Daldry, which swoops through some 60 years of the weekly meetings between Queen Elizabeth and her prime ministers. And actually this experience of writing “The Audience” gave him the idea for “The Crown.”

Part of the pleasures of watching “The Crown” is its ability to offer glimpses of life at Buckingham Palace and other royal residences (The furniture! The objects! The clothes! The jewels!). But it also offers a history lesson in world events, politics and the social manners and mores of postwar British society, seen through the prism of Elizabeth’s reign.

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For example, I was really surprised by the relationship between Winston Churchill and the young queen! I never thought the either one of them struggled in this relationship! Never thought that either one of them ever doubted themselves… until now!

I don’t want to say more and spoil it for those of you who haven’t watched it yet… but here are a few reviews I read about the series … Both +ve and -ve:

  • The New York Times says it is “just an orgy of sumptuous scenes and rich performances” in its Review: Netflix Does Queen Elizabeth II in ‘The Crown,’ No Expense Spared.
  • Vanity Fair’s review, The Crown Is Netflix’s Most Expensive Series to Date, and Worth It, says “A grand saga about the British royals begins with a sumptuous look at midcentury monarchy.”
  • USA Today gives The Crown 3-1/2 out of 4 stars in its piece titled Review: ‘The Crown’ is sumptuous miniseries with the stellar cast!
  • From the Maclean’s review by Patricia Treble, ‘The Crown’ on Netflix is riveting. And not completely true. “Unlike many so-called documentaries that are little more than rehashed tittle-tattle and gossip, The Crown’s fact-heavy fiction puts dramatic meat on much more substantial and accurate bones.“

Style Icon: Dürrüsehvar- The Ottoman Princess

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It’s not easy to portray simple, elegant, timeless, and regal style when wearing a traditional or should I say a national dress. Yet Durru Shehvar has somehow managed to pull all that in this one picture! This picture alone turned her to a style icon in my books! That necklace is beyond beautiful. Her makeup is perfection and her eyebrows are on point! Wish I knew what color her Sari was!

Born in Istanbul on January 26, 1914, she was the only daughter of Abdülmejid II, the last Sultan to rule over the Ottoman Empire. Growing up in Dolmabahçe Palace in Istanbul, the princess was exposed to a world of art and literature at an early age thanks to her father, a cultured man who spoke several languages including Turkish, Arabic, French and German. In addition to composing music, he was an accomplished painter, producing landscapes and scenes from Ottoman history, which in later years she went to great lengths to buy when they surfaced at auctions.

With the dismantling of the Ottoman Empire, in 1924 the sultan and his family went into exile splitting their time between Paris and Nice in the South of France. She was soon sought by the Shah of Persia and King Fuad I of Egypt as a bride for their respective heirs, Mohammed Reza Pahlavi and Farouk. But also vying for Dürrüsehvar’s hand was the Nizam of Hyderabad, who wanted her to marry his eldest son Azam Jah, Prince of Berar and heir apparent to the throne of Hyderabad. The Nizam won and in 1931, 18-year-old Dürrüsehvar married his son Azam Jah. `The wedding took place in the south of France, and their marriage was widely hailed as a “union of two great dynasties”.

After the honeymoon, the couple returned to Hyderabad, where they settled into the lakeside palace of Bella Vista. Already fluent in French, Turkish and English, the princess quickly learned Urdu and took to wearing French chiffon saris embellished with Art Deco embroideries by the leading Paris couture houses of the day.

Her arrival in Hyderabad would also cause a seismic shift in the lives of local women, and it began with her efforts to end the practice of purdah. Until the reign of the seventh Nizam, the women of the royal family were never seen in public; that is until the princess moved to Hyderabad. In 1933, Dürrüsehvar became the first female member of the Nizam’s family to attend a tennis match where she presented the winning team with a silver cup. It would be the first of many public appearances including charity events, polo matches, and state banquets. Over time she became a respected public figure who advocated for women’s rights and the education of young girls, establishing a junior college for women as well as a nursing school and hospital that still carry her name today.

In 1937, she traveled with her husband to England to attend the coronation of King George VI and Queen Elizabeth in Westminster Abbey. Although statuesque and regal in public, Dürrüsehvar was also intensely shy and private. Known for shunning publicity, she closely guarded her friendships, which included one with the noted fashion photographer Cecil Beaton and the famous actress Greta Garbo, who often referred to the princess as “our Turkish friend.”

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A few years after the marriage, she realised her incompatibility with her husband, and left with her 2 children, Mukkaram Jah and Muffakham Jah, to London where she lived and visited Hyderabad occasionally. Her last public appearance was when she presided over the opening ceremony of the Nizam’s Silver Jubilee Museum in 2000…. She passed away in her London apartment on Queens Street in 2006 at the age of 92.

Velvets Are Back!

I am thrilled that the 90s velvet trend is back! I felt so nostalgic when I saw all the FW collections… I loved this trend back in the 90s…. I still remember Carolyn Bessette Kennedy’s long black velvet gloves she wore with her Yohji Yamamoto dress like it was yesterday!

Designers like Marc Jacobs, Ralph Lauren (below), Valentino and much more, have included velvet in their Fall/Winter collections. I honestly haven’t seen this much velvet since the 90s… I’m loving it! I’m loving the wide range of colours and the wide range of designs from those extra wide pants to the victorian style dresses…

There are many dos and dont’s on the net of how to wear velvets… None really make much sense to me… One particular “dont’s” that I’ve been reading everywhere and that made no sense to me at all don’t wear velvet on velvet!… I personally think that velvet on velvet can look great if done right! I’m on the hunt now for the perfect velvet heels to wear with a matching colour velvet dress! Those Gianvito Rossi signature heels in velvet are one of my favorite out there!

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 I just wanna run in those heels!

Movie Wardrobe: The Thomas Crown Affair

There are many movies out there that inspire us in terms of fashion and/or interior design…. So I thought I’d start a new segment on my blog about movie wardrobes that I love and that have influenced my taste and style throughout the years…

I’ll start this segment with one of my favorite movie wardrobes from the 1999 version of The Thomas Crown Affair which was designed by Kate Harrington. I loved Rene Russo ’s lead character, Catherine Banning’s wardrobe. The wardrobe was so impeccable and still relevant today, despite the fact that it was done 17 years ago.

 Harrington was hired with only two months “to pull the clothes together,” which left no room for her to create anything from scratch: not a sketch, a pattern, or garment. She settled on a wardrobe for Russo’s character from the 1997 Celine F/W collection by Michael Kors (one of Russo’s suggestions) and a few Halston creations.

Harrington’s approach was like doing a magazine spread. “That’s how I saw it. I’d just act like I was doing an entire Vanity Fair issue, cover to cover, only with Pierce and Rene.”  I’ve learned many lessons from Kate Harrington’s approach for this movie. Here are a few “lessons” worth thinking about:

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1. You don’t have to have a colorful wardrobe to make a variety of looks. Rene’s character in this movie rarely wore the same thing twice even though she wore a lot of the same neutral colors like cream, camel, grey and black. She never looked boring because she mixed and matched her neutrals all the time.

2. You must play with textures and materials. For example, Rene wore a cashmere turtleneck with a leather skirt…. and I love the look above where she stayed within a colour scheme but added interest by mixing 3 textures cashmere, fur, and leather.

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3. Invest in classic cuts because they will never go out of style.  All her clothes are in classic silhouettes – that sequenced black dress, the turtleneck sweaters, the mandarin collar on her gown, that stunning biker cut leather jacket and the list can go on! Her wardrobe was full of items that are a must in every wardrobe and that have stood the test of time.

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4. Always add a touch of “cool” to your look!. Rene’s character always looked cool even though she always wore very classic clothes…  Like those cool aviator sunglasses with her conservative turtleneck and skirt, those unexpected earrings with a traditional gown, and that bustier over a classic white shirt (above).