Nocturnal Animals: Part 2 The Movie Set

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Set designer Shane Valentino along with the movie director Tom Ford chose a stunning Malibu house designed by Scott Mitchell. The house was used as the home of Susan and her husband, Hutton. “One of the directives we had in terms of Susan’s world was that it wanted to feel very hard and cold,” he says. “A good way to do that is to look for lots of glass, concrete, or hard materials.”

Art was also a major component to the design of Susan’s home. Valentino used a mix of modern and contemporary art throughout the house.

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Valentino reworked the interior design of the house to include darker furnishings which you can see in the 2 pictures above.“A lot of it is almost a mirror of some sort of Tom’s life and his world that he lives in,” he says. “The chaise lounge, the settees, and the armchairs that are there are part of his aesthetic. We went to a lot of high-end design places like JF Chen to find particular pieces.” Below I’ve put 2 pictures of the original house before the changes were temporarily made for the movie! It has the complete opposite ambiance of the dark and mysterious movie set… here the house is light and airy which is beautiful but somehow I’m in love with the changes made by Valentino!

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Anyways back to the set design

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I love this photograph from Richard Misrach’s Desert Cantos series that was hung in the entryway. It’s  from Tom Ford’s private collection. Not sure if I would use or put this photograph in a home, but  I think that this particular movie it was a brilliant choice by Valentino, especially with Susan’s hair colour against it! And most importantly I feel that landscape was the perfect hint for us of what was expected to come in the movie….  and sort of set the mood for us!

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Another art piece that caught my eye was that beautiful painting by Mark Bradford that hangs above Susan’s bed. I haven’t seen his work in person before but after I saw this I put him on my lists of artists to check out!… I just love it… In fact, I love everything in this room… Everything chosen complements each other without feeling matchy …like how the black marble table top complements the painting…. I love how all the wood walls complement the black and white in the room… I could go on and on about this room but I’ll stop and instead share a picture of the original bedroom just in case you were wondering about it!.

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So what do you think?  Which house do you prefer?  The dark and mysterious one? Or the bright and airy one?

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Nocturnal Animals: Part 1 The Movie Wardrobe

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There are many beautiful Movie sets and wardrobes out there but I must say that  I haven’t come across a movie where I loved the wardrobe and the set design at the same time…  until now! I honestly believe that Tom Ford has outdone himself as a director in this movie!….I’ve decided to divide this post into two parts because I feel both the wardrobe and the set design deserve to have their own post!

So the first part will be about the beautiful wardrobe that Arianne Phillips has designed for Susan which was played by Amy Adams.

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The ‘Susan’ style

“Surprisingly, Susan’s character does not wear any designer clothes at all,” confides Phillips. “Most of the clothes were made; they’re not Tom Ford nor any other designer! I mean, you would think they would be, because it’s contemporary, and Susan’s part of the cultural elite. She’s very presentational: heavy makeup, precisely waved hair, polished, pristine.”

Isn’t that just amazing?… its all about her look and about her style rather than the labels that we see most women focus on these days!

“The clothes really help tell the story of her precision, her perfection and her attempt to be presentational at all times, even when her life is falling apart,” says Phillips. Many of Susan’s scenes take place against the stark visual backdrop of her art gallery or her art gallery-like home where her wardrobe comprises mostly sleek black tailoring, killer heels, and opulent statement jewellery – or stealth-wealth knitwear for the moments when she is alone, often curled up in bed enthralled by the novel her ex-husband has sent her.

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I was dying to know where Susan’s beautiful tricolor fur in chestnut brown, amber, and white was from.. sadly it was custom made by Tom Ford atelier’s furrier, so we won’t find it in future TF collections  😦

There were many flashbacks to the Nineties which I really loved… They portrayed Susan as a young woman living in New York… 90s Susan reminded me so much of Carolyn Bessette-Kennedy! I love that pared-back 90s chic.

“I stuck with neutrals so that it would have a timeless classic quality because that’s what we believed her character’s aesthetic would be and not particularly bending to trends.” Having said that, there are still recognisable pieces which were staples of the time yet would look just as ‘right’ today, especially given the influence which Nineties trends have had on fashion over the past few years. “Turtlenecks, body suits and trench coats…things that would have been accessible to a young woman of her age,” were all on Phillips’ list.

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They certainly saved the best for last with that stunning green dress that perfectly  complemented Amy Adams’ red hair.“That color was quite specific,” notes Phillips. “It was dyed and made; we labored over getting it the right color for film—and camera tested it….“It’s a public scene and we really wanted a colour that would stand out cinematically.” The keyhole neckline dress was chosen not only because it matches perfectly with the delicate wall decoration in the restaurant, but also for its powers in emphasising Adams’ flame-red hair. “That particular green is flattering to Amy Adams. I love a redhead in green and that was a yellowy chartreuse. It felt right, sometimes there’s an intuitive sensibility to filmmaking. I’m not a fan of ‘The Red Dress’ that you see in movies.