The Exhibition is the first major exhibition dedicated to the greatest soprano of all time Maria Callas. Curated by Massimiliano Capella, the presentation marks the 40th anniversary of the death La Divina. It includes costumes and props jewelry, Private clothes, especially those by Biki, the Milanese stylist who fashioned the ‘Callas look’ during the Milan years, as well as several opera costumes; there are personal treasures and stage jewellery; hats, wigs and glasses; telegrams, letters, newspaper articles and photographs illustrating the successes, the scandals, and her loves.
The exhibition is on display until September 18, 2016, in Verona and will soon begin its international tour, from Athens to New York, from Paris to Mexico City…. I don’t have information about the international tour yet but I’ll add it at the bottom of this post as soon as I find some!
The Curator Massimiliano Capella has used 2200 mannequins and has divided the exhibition into fourteen sections starting with America and Greece and ends in a small dark room with a video of Callas’s ashes being scattered on the Aegean Sea.
Here’s a quick background of her life for those of you who are interested:
I’m going to start from her “Milan years” because to me that’s where she rose and gave her greatest performances and, of course, it was at La Scala where she recorded many of the EMI recordings. On 17 September 1947 Callas had auditioned for La Scala with Casta Diva and O Patria mia, but the Artistic Director, Mario Labroca, didn’t think she was suitable. However, a substitution for Renata Tebaldi on 12 April 1950 in Aida launched a relationship that would continue for more than a decade. Between 1950 and 1962 she would sing 23 different operas, appearing on the Milanese stage 181 times.
Although critics and public were mostly enthusiastic about her vocal performances between 1947 and 1953, comments about her physical aspect were less favourable. Although she was quite tall at 1.73 meters (5’ 8”) she weighed almost 100 kilos (220 lbs); quite a large girl. In 1952 a tactless critic wrote, “It was impossible to distinguish between the elephants’ feet and those of Aida.”
So between the summer of 1952 and the spring of 1954, she lost 35 kilos, and in doing so – with the help of Biki – transformed herself into a style icon. Many of her outfits are reunited for the Callas exhibition. (The iconic portrait by Jerry Tiffany in New York for EMI in 1958 demonstrates how the transformation was complete).
In 1952 she made her debut at the Royal Opera House in London as Norma. London would later be the place of her last appearance in a complete opera, in 1965, and one of the dates of her final concert tour with Giuseppe di Stefano in 1973. But London was to also be the setting for a famous… infamous encounter.
In 1959, when Callas was one of the core members of the international jet set, a party was held at London’s Dorchester Hotel after the opening of Medea at Covent Garden on 17 June 1959. The event was held at London’s Dorchester Hotel after the opening of Medea at Covent Garden on 17 June 1959. The event was hosted by Aristotle Onassis. the picture above was taken at the event!!!! The next month Callas and her husband were already guests aboard his yacht Christina and the fatal relationship began.
Her relationship with Onassis ended in 1968 when he left her for Jacqueline Kennedy.
In 1969 she did interpret one of her opera characters again for Pier Paolo Pasolini’s film of Medea; though on this occasion she wasn’t required to sing. Piero Tosi’s magnificent costume for the film is part of the exhibition, so is the favourite black leather jacket that Callas wore during this period. Various documents on show illustrate the intimate nature of the friendship between the director and his leading lady.
The final rooms contain some of her hats, bags, shoes, turbans and other accessories which Biki so carefully labelled in the early years to help her young protégé coordinate the right hat with the right gown. Biki continued to dress her when she lived in Paris, as well as Saint Laurent, Pierre Cardin, Hérmes and Alexander for her wigs.
In the early ‘70s she appeared at Juilliard for the legendary workshops, directed I Vespri Siciliani together with Di Stefano in Turin, and Di Stefano convinced her to join him on an around-the-world concert tour which finished in 1974.
27 November 1973: Maria Callas gives a farewell concert at the Royal Festival Hall.
In 1975, Onassis died in a Paris hospital, a few months later Pasolini’s murdered body was found on the beach at Ostia near Rome, and the following year saw the death of another friend and mentor Luchino Visconti, who once said that he’d only started directing opera because of Callas.
She died of a heart attack on 16 September 1977. She was 53.