The Best Oscar Picture Ever Taken!

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The Oscar winner Faye Dunaway was photographed the morning after, having breakfast by the pool with the day’s newspapers at the Beverley Hills Hotel, 29 March 1977. The photograph was taken by Terry O’Neill, who went on to marry her!

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Vintage Photos Of The Academy Awards From the Golden Age of Hollywood

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 Humphrey Bogart and his wife Lauren Bacall arrive at the 27th annual Academy Awards at the RKO Pantages Theater in 1955.

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 Presenters Audrey Hepburn and Grace Kelly wait backstage at the RKO Pantages Theatre during the 1956 Academy Awards.

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Frank Sinatra and Donna Reed hold their Oscars as Best Supporting Actor and Actress in From Here to Eternity — a film that won eight statuettes in 1954, including Best Picture.

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Natalie Wood, Best Actress nominee for her role as Deanie Loomis in Splendor in the Grass, gets her hair done prior to the 1962 Academy Awards.

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 Grace Kelly and Clark Gable arrive at the 26th annual Academy Awards at the RKO Pantages Theatre in 1954

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Marlon Brando (right, with French singer and actress Line Renaud) casually holds his Best Actor Oscar for On The Waterfront at the 1955 Academy Awards at the RKO Pantages Theatre.

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Elizabeth Taylor walks through a crowd of admirers at the Oscars in 1961 — the year she won her first Academy Award, for her role in Butterfield 8.

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Last but not least…..The great, inimitable Charlie Chaplin — who had been living in self-imposed exile in Switzerland for two decades — blows a kiss to the crowd while accepting an honorary Oscar in 1972 for “the incalculable effect he has had in making motion pictures the art form of this century.” When he was introduced to the audience, Chaplin received a twelve-minute standing ovation.

 Pictures Via LIFE Magazine

Nocturnal Animals: Part 1 The Movie Wardrobe

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There are many beautiful Movie sets and wardrobes out there but I must say that  I haven’t come across a movie where I loved the wardrobe and the set design at the same time…  until now! I honestly believe that Tom Ford has outdone himself as a director in this movie!….I’ve decided to divide this post into two parts because I feel both the wardrobe and the set design deserve to have their own post!

So the first part will be about the beautiful wardrobe that Arianne Phillips has designed for Susan which was played by Amy Adams.

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The ‘Susan’ style

“Surprisingly, Susan’s character does not wear any designer clothes at all,” confides Phillips. “Most of the clothes were made; they’re not Tom Ford nor any other designer! I mean, you would think they would be, because it’s contemporary, and Susan’s part of the cultural elite. She’s very presentational: heavy makeup, precisely waved hair, polished, pristine.”

Isn’t that just amazing?… its all about her look and about her style rather than the labels that we see most women focus on these days!

“The clothes really help tell the story of her precision, her perfection and her attempt to be presentational at all times, even when her life is falling apart,” says Phillips. Many of Susan’s scenes take place against the stark visual backdrop of her art gallery or her art gallery-like home where her wardrobe comprises mostly sleek black tailoring, killer heels, and opulent statement jewellery – or stealth-wealth knitwear for the moments when she is alone, often curled up in bed enthralled by the novel her ex-husband has sent her.

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I was dying to know where Susan’s beautiful tricolor fur in chestnut brown, amber, and white was from.. sadly it was custom made by Tom Ford atelier’s furrier, so we won’t find it in future TF collections  😦

There were many flashbacks to the Nineties which I really loved… They portrayed Susan as a young woman living in New York… 90s Susan reminded me so much of Carolyn Bessette-Kennedy! I love that pared-back 90s chic.

“I stuck with neutrals so that it would have a timeless classic quality because that’s what we believed her character’s aesthetic would be and not particularly bending to trends.” Having said that, there are still recognisable pieces which were staples of the time yet would look just as ‘right’ today, especially given the influence which Nineties trends have had on fashion over the past few years. “Turtlenecks, body suits and trench coats…things that would have been accessible to a young woman of her age,” were all on Phillips’ list.

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They certainly saved the best for last with that stunning green dress that perfectly  complemented Amy Adams’ red hair.“That color was quite specific,” notes Phillips. “It was dyed and made; we labored over getting it the right color for film—and camera tested it….“It’s a public scene and we really wanted a colour that would stand out cinematically.” The keyhole neckline dress was chosen not only because it matches perfectly with the delicate wall decoration in the restaurant, but also for its powers in emphasising Adams’ flame-red hair. “That particular green is flattering to Amy Adams. I love a redhead in green and that was a yellowy chartreuse. It felt right, sometimes there’s an intuitive sensibility to filmmaking. I’m not a fan of ‘The Red Dress’ that you see in movies.